Acc1 responsables
Acc2a tatin
Acc1 responsables
Accueil
Cont1 secrétariat
Cont1 secrétariat
Cont1 achats 3
Rev20 Comedy
Rev20 Comedy
Rev19 Chabanon
Rev18 Mal
Rev17 Querelles
Rev16 Oratorio
Rev15 Theatralite
Rev14 haendel
Rev13 hennin
Rev12 wagner
Rev11 debussy
Rev10 noverre
Rev9 gluck
Rev8 prokofiev
Rev7 haydn
Rev6 chabanon
Rev5 livret
Rev4 texte
Rev3 representations
Rev2 interpretation
Rev1 melanges
M1 Communications
M1 Communications
M1 Communications
M1 Communications
Rev11b vives
Rev11c vermaelen
Rev11d dubiau
Rev11e leleu
Rev11a preface
Rev11 debussy

Adorno wrote in his Aesthetic Theory that the sensuality of Verlaine’s poetry, giving up sense for sensibility, built the sense on the lack of sense. He added that it is the most important potential for the artistic modernity. Debussy follows him and organizes a new space of representation of a world without theology / teleology. The more the sensuality takes place in the human experience the more the sense as “Reason”, “Law” and “Logics” disappears behind the perpetuum mobile of affects, unconscious motions and materiality. We would like to define this a-teleological aesthetics and to sketch the stylistic ways that both Verlaine as Debussy choose.

  

N° 11b

Les mélodies de Debussy

Vincent Vivès

Université de Valenciennes et du Hainaut-Cambrésis

Somme atéléologique : Verlaine et Debussy

Vincent Vivès
Vincent Vivès - Verlaine et Debussy

Denis Vermaelen
Denis Vermaelen - Une particulière mise en place

Mylène Dubiau
Mylène Dubiau - Ariettes oubliées

J.L. Leleu et P. Dal Molin
J.L. Leleu et P. Dal Molin - " Debussy l'obscur... "

Préface

Retour