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Licinio imperatore, an opera with a libretto by Matteo Noris and music (now lost) by Carlo Pallavicino, is a highly atypical work as regards both the sumptuous and costly productions that were the norm at the Teatro San Giovanni Gristostomo, and that theatre’s habit of presenting only decorous subjects. This was the first attempt to introduce a comic and satirical subject into Venice’s most important theatre. Noris had already experimented with this sort of subject in operas for the theatre of SS. Giovanni e Paolo (including Dionisio in 1681 and Bassiano in 1682). The libretto of Licinio, remarkable for its solid structure, reveals the author’s great skill in writing for the theatre. Noris was particularly attracted by comic subjects, something which caused the censoring of his Demone amante in 1687. But he continued to write further works in this vein until the end of the century, in spite of increasing pressures for a reform of the opera libretto.

Le livret en question

N° 5 h

Marco Rosa Salva

Università di Bologna

Licinio imperatore, Un dramma di soggetto comico per il S. Giovanni Grisostomo

Préface

Albert Gier
Albert Gier - Etudes récentes sur le livret

Sieghart Döhring
Sieghart Döhring - Ein Schlüsselbegriff der Librettoanalyse

Daniela Sautter
Daniela Sautter - Element einer pietà-Poetik

Avant-propos

Michael Klaper
Michael Klaper - Der Beginn der Operngeschichte in Paris

Adrian La Salvia
Adrian La Salvia - Die erste Auffürung einer Tragédie en musique

Marco Rosa Salva
Marco Rosa Salva - Licinio imperatore

Herbert Schneider
Herbert Schneider - Voltaire als Librettist

Laurine Quetin
Laurine Quetin - Lucio Silla, Lucio Cornelio Silla Dittatore

Pierre Degott
Pierre Degott - "Procurerò di ritornar inglese"

Sylvie Le Moël
Sylvie Le Moël - L'Europe romanesque dans le livret d'opéra-comique et de Singspiel

Anja Overbeck
Anja Overbeck - Auf der Suche nach dem "Libretto-Idiom"

Chantal Cazaux
Chantal Cazaux - Alexandre Soumet, Felice Romani

Bernd Zegowitz
Bernd Zegowitz - Kein Librettist in eigener Sache

Joachim Herz
Joachim Herz - Operndramaturgie versus Schauspieldramaturgie

Andrea Schindler
Andrea Schindler - Wagners Erben

Anja Müller
Anja Müller - The Lords of the Rings

Isolde Braune
Isolde Braune - Zum Phänomen des Sprachversagens bei S Wagner

Bernard Banoun
Bernard Banoun - Livret et esthétique le l'opéra dans les années 1920

Thorsten Preuss
Thorsten Preuss - Die Erzählung als Libretto

Retour

Nicolas Moron
Nicolas Moron - La Suite vocale d'après L'Ange de feu