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Libretto research in literary studies having paid little attention to the operatic texts set by Haydn, considerations on the composer’s librettos and their authors have until now remained scattered among musicological works; the following account pieces together the various areas of knowledge. In detail, they are mainly about Haydn’s literary background (the composer’s library, his special collection of librettos; a selection from the operas performed in Eszterhàza), biographical information about the librettists, the quality of Haydn’s music, the musical dramaturgy and the generic nature of the set texts. Among the most urgent requirements are textual and dramaturgic analyses of the libretti – until now only studied in comparison with models or parallel versions –, analyses of the German Singspiel-versions – and possibly modern adaptations – of Haydn’s operas.

Joseph Haydn und Europa

N° 7 c

Albert Gier

Otto-Friedrich-Universität Bamberg

Joseph Haydn und die Libretti seiner Opern

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Préface

Gottfried Scholz
Gottfried Scholz - Gottfried von Swieten und Joseph Haydn

Jean-Marc Leblanc
Jean-Marc Leblanc - La musique de Haydn dans les traités en France

Suzel Esquier
Suzel Esquier - Haydn et ses biographes

Christine Siegert
Christine Siegert - Opera buffa als spätabsolutische Repräsentation

David Gasche
David Gasche - Bearbeitungen für Harmoniemusik

Pierre Degott
Pierre Degott - English language in Haydn’s German oratorios

János Poór
János Poór - Haydns Ungarn

Lukas Haselböck
Lukas Haselböck - Vivaldi und Haydn

Gerold Gruber
Gerold Gruber - Joseph Haydn - Kick off - Event

Albert Gier
Albert Gier - Joseph Haydn und die Libretti seiner Opern

Gerhard Winkler
Gerhard Winkler - „Gott erhalte“ – Rossini – Paris 1825

János Kalmar
János Kalmar - Nikolaus II. Esterházy

Ulrike Anton
Ulrike Anton - Johann Nepomuk Hummel