This present article analyses the modalities in the light of which an approach of musical phenomena, in which sociological reasoning and the theory of complexity intervene, is likely to entail a new reading of the act of creation and of the artistic activity, inserting them into a multiform reality which concerns the collective, the individual and the interpersonal levels at the same time.

In this context, the work is considered both as a social phenomenon and as an instrument of investigation and a tool of production of a knowledge of the different social backgrounds.