Acc1 responsables
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Rev14 haendel
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Rev12 wagner
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Rev3b bonnet
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It is a difficult task to account for the enigmatic aspects of the music and libretto of Cosi fan tutte. Unlike Le Nozze di Figaro and Don Giovanni, the opera fascinates less for the complexity of its plot and its sheer monumentality, than for its finesse and aplomb. The analysis of the work of the great directors of our century allows us to see how this particularly stimulating opera has given rise to completely different productions, all based on the same music and words. Atmosphere and sensations change radically from one presentation to the other, different contexts and contradictory hypotheses present the spectator with the possibility of identifying with the drama according to his/her own tastes and predispositions.

Staging can therefore, and indeed must, offer the public a physical and concrete interpretation of the opera. This can be done by interweaving human senses and spirit in an artistic mixture of lights, sounds, colours and people, the effect of which is radically opposed to the ascetic austerity that is often, unfortunately, the lot of many opera-goers.

Migrations culturelles de l'histoire de la représentation aux XVIIIème et XIXème siècles en Europe

N° 3 k

Stefania Panighini

Università di Torino

Analisi della messinscena del Così fan tutte attraverso la lettura di grandi registri del '900

Jérome Bonnet
Jérome Bonnet - Arsinoe de Tammaso Stanzani

Laura Naudeix
Laura Naudeix - Présence de la tragédie en musique française

Sandrah Silvio
Sandrah Silvio - Style et technique des chanteuses lyriques italiennes

Laurine Quetin
Laurine Quetin - Réception de l'art lyrique italien en Russie

Préface

Albert Gier
Albert Gier - Zwischen Tragödie und Melodram

Chantal Cazaux
Chantal Cazaux - Gaetano Donizetti de Naples à Paris et Vienne

Gérard Loubinoux
Gérard Loubinoux - Castil-Blaze, héritier des querelles du XVIIIè siècle

Georgia Kondyli
Georgia Kondyli - Les Danaïdes ou les migrations d'un mythe

Stefania Panighini
Stefania Panighini - Analisi della messinscena del Così fan tutte

Rudolf Angermüller
Rudolf Angermüller - Così fan tutte auf europäischen Bühnen

Ghyslaine Guertin
Ghyslaine Guertin - L'Europe musicale d'après un migrant du XVIIIè siècle

Cécile Champonnois
Cécile Champonnois - Travellers and Amateur Opinions on XVIIIth Century

Retour

Elena Biggi Parodi
Elena Biggi Parodi - "Les Danaïdes" di Salieri diretta da Gaspare Spontini