Rev2b piencikowski
Rev2c pereira
Rev2d bonnet
Rev2e leleu
Rev2a preface
Rev2f decroupet
Rev2g vermaelen
Rev2h noubel
Rev2i chaigne
Rev2 interpretation
Acc1 responsables
Acc2a tatin
Acc1 responsables
Cont1 secrétariat
Cont1 secrétariat
Cont1 achats 3
Rev20 Comedy
Rev20 Comedy
Rev19 Chabanon
Rev18 Mal
Rev17 Querelles
Rev16 Oratorio
Rev15 Theatralite
Rev14 haendel
Rev13 hennin
Rev12 wagner
Rev11 debussy
Rev10 noverre
Rev9 gluck
Rev8 prokofiev
Rev7 haydn
Rev6 chabanon
Rev5 livret
Rev4 texte
Rev3 representations
Rev2 interpretation
Rev1 melanges
M1 Communications
M1 Communications
M1 Communications
M1 Communications

Sketches are all too often used to make a simple description of the structural organization of Brian Ferneyhough's music. In order to go beyond this simplistic approach, the author has choosen to study and interpret a single page of sketches related to Kurse Schatten II for guitar solo. The title of the page, omitted in the score, first reveals a notable link between the work for guitar and the one for piano solo Lemma-Icon-Epigram. The same title also brings to light a distinctive feature of the "variations form" used in the second movement of Kurse Schatten II. The philological approach then allows the understanding and, above all, interpretation of how the rhythmic structures of that movement came into being. The page of sketches finally appears as the hidden place where inventiveness and arbitrariness clash with one another.

Analyse et interprétation des sources musicales de la deuxième moitié du XXème siècle

N° 2 i

Jean-Pascal Chaigne

Université de Nice

Une esquisse de Brian Ferneyhough

Robert Piencikowski
Robert Piencikowski - Au fil des esquisses du Marteau

Rosângela Pereira de Tugny
Rosângela Pereira de Tugny - Des glissements dans le temps

Antoine Bonnet
Antoine Bonnet - "Activité structuraliste" et composition musicale

Jean-Louis Leleu
Jean-Louis Leleu - Sens musical et notation rythmique


Pascal Decroupet
Pascal Decroupet - De l'analyse génétique à la recomposition

Denis Vermaelen
Denis Vermaelen - Essai d'interprétation du début de Dolphin

Max Noubel
Max Noubel - Le Quatuor pourhautboiset cordes d'Eliott carter

Jean-Pascal Chaigne
Jean-Pascal Chaigne - Une esquisse de Brian Ferneyhough