Acc1 responsables
Acc2a tatin
Acc1 responsables
Cont1 secrétariat
Cont1 secrétariat
Cont1 achats 3
Rev20 Comedy
Rev20 Comedy
Rev19 Chabanon
Rev18 Mal
Rev17 Querelles
Rev16 Oratorio
Rev15 Theatralite
Rev14 haendel
Rev13 hennin
Rev12 wagner
Rev11 debussy
Rev10 noverre
Rev9 gluck
Rev8 prokofiev
Rev7 haydn
Rev6 chabanon
Rev5 livret
Rev4 texte
Rev3 representations
Rev2 interpretation
Rev1 melanges
M1 Communications
M1 Communications
M1 Communications
M1 Communications
Rev12 wagner
Rev12b buschinger
Rev12c piontek
Rev12d gier
Rev12e abels
Rev12f tschorner
Rev12g stollberg
Rev12h pachl
Rev12i leblanc
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Rev12k nystrom
Rev12a preface

Danielle Buschinger summarises the genesis of the work and lists its various sources: Hans Sachs’s poems, his biography, the modern reception after Goethe, Wagenseil’s book (1697) and an essay by Jacob Grimm on the Meistersang. With the help of a song by Sachs, she illustrates the structure of a Meisterlied as the basis of Stolzing’s Preislied. Wagner found his information on the mastersingers’ art, the organisation of their “schools,” etc., in Wagenseil. The libretto combines elements from a short story by E.T.A. Hoffmann, Meister Martin der Küfner und seine Gesellen, from Deinhardstein’s play and from Lortzing’s opera. In Hoffmann, Wagner also found the romantic image of Nuremberg. As a conclusion, the author emphasises that The Mastersingers are a bittersweet epilogue to Tristan, in the same way that they are a “heiteres Satyrspiel” to Tannhäuser.


N° 12b

Richard Wagner, Die Meistersinger von Nürnberg

Danielle Buschinger

Université de Picardie Jules Vernes, Amiens

Richard Wagners Meistersinger von Nürnberg und der historische Meistersang


Danielle Buschinger
Danielle Buschinger - Der historische Meistersang

Frank Piontek
Frank Piontek - Zur verhinderten Nürnberger Uraufführungder

Albert Gier
Albert Gier - Komëdie als ideendrama

Norbert Abels
Norbert Abels - Hohn und Lohn

Sylvia Tschörner
Sylvia Tschörner - „Bliebst du im Paradies, / da gab es keinen Kies“

Arne Stollberg
Arne Stollberg - die „protestantische“ Musik der Meistersinger

Peter P. Pachl
Peter P. Pachl - Frühe Meistersinger-Rezeption

Cécile Leblanc
Cécile Leblanc - L'Ardoise de Beckmesser

Kristel Pappel
Kristel Pappel - Netzwerk in den Ostseeprovinzen Russlands

Esbjörn Nyström
Esbjörn Nyström - Zieltext als Dichtung?