Acc1 responsables
Acc2a tatin
Acc1 responsables
Accueil
Cont1 secrétariat
Cont1 secrétariat
Cont1 achats 3
Rev20 Comedy
Rev20 Comedy
Rev19 Chabanon
Rev18 Mal
Rev17 Querelles
Rev16 Oratorio
Rev15 Theatralite
Rev14 haendel
Rev13 hennin
Rev12 wagner
Rev11 debussy
Rev10 noverre
Rev9 gluck
Rev8 prokofiev
Rev7 haydn
Rev6 chabanon
Rev5 livret
Rev4 texte
Rev3 representations
Rev2 interpretation
Rev1 melanges
M1 Communications
M1 Communications
M1 Communications
M1 Communications
Rev14 haendel
Rev14 preface
Rev14 burrows
Rev14 gier
Rev14 salvia
Rev14 landgraf
Rev14 degott
Rev14 gardner
Rev14 burden
Rev14 robins
Rev14 duguet
Rev14 tchorek
Rev14 young
Rev14 couderc
Rev14 heberle
Rev14 curkovic
Rev14 zorica
Rev14 cubas
Rev14 vincent
Rev14 deconinck
Rev14 dubois

The comprehensive journals of the amateur musician and composer John Marsh (1752-1828) provide much that is of value in assessing the place of Handel’s music in English musical life in the immediate years after his death. Marsh’s writings tell of a combination of practical experience as a musician in the provincial cities of Salisbury, Canterbury and Chichester with attendance as an observer at such major events as the Handel Commemoration of 1784 and major provincial music festivals. To these and many of the polemical issues of the day he brought a pragmatic and clear-headed mind that make his observations particularly valuable. His extensive experience of Handel as both player and auditor centred particularly on the oratorios, the Handelian repertoire most valued in Georgian England. He gives us hints of performing forces and styles, both before and after the 1784 Commemoration, a watershed for the performance of Handel’s oratorios that established a new vogue for performing grandiose extracts of the oratorios rather than complete works. Such a change in emphasis underpins Georgian elevation of Handel to the status of a national purveyor of the religious sublime.



  

Haendel après Haendel :

Construction, renommée, influence de Haendel et de la figure haendélienne

N° 14j

Brian Robins

Independent Scolar

John Marsh and Handel

Retour

Préface

Donald Burrows
Donald Burrows - Turning the Handel

Albert Gier
Albert Gier - Haendel à Karlsruhe

Adrian La Salvia
Adrian La Salvia - La Renaissance de Haendel au miroir des traductions

Annette Landgraf
Annette Landgraf - The German Belletristic Literature about Handel

Pierre Degott
Pierre Degott - From Facts to Fiction

Matthew Gardner
Matthew Gardner - The Great Mr Handel

Michael Burden
Michael Burden - When Giulio Cesare was not Handel's Giulio Cesare

Brian Robins
Brian Robins - John Marsh and Handel

Lionel Duguet
Lionel Duguet - La réception du Messie en France au XIXème siècle

Denis Tchorek
Denis Tchorek - Un exemple de transfert culturel

Steven Young
Steven Young - Handel Redux

Gilles Couderc
Gilles Couderc - Move over, Handel!

Jean-Philippe Heberlé
Jean-Philippe Heberlé - L'héritage haendélien et Michael Tippett

Ivan Curkovic
Ivan Curkovic - Men and/or Women

Maja Vukusic Zorica
Maja Vukusic Zorica - Les périgrinations du genre

Yaiza Bermudez Cubas
Yaiza Bermudez Cubas - Reflexiones de la musica del Haendel en el cine

Nathalie Vincent-Arnaud
Nathalie Vincent-Arnaud - Les métamorphoses de Terpsichore

Françoise Deconinck
Françoise Deconinck - Sharp, Haendel, Nares et les autres

Pierre Dubois
Pierre Dubois - The Changing Faces of Handelian Historiography