Acc1 responsables
Acc2a tatin
Acc1 responsables
Cont1 secrétariat
Cont1 secrétariat
Cont1 achats 3
Rev20 Comedy
Rev20 Comedy
Rev19 Chabanon
Rev18 Mal
Rev17 Querelles
Rev16 Oratorio
Rev15 Theatralite
Rev14 haendel
Rev13 hennin
Rev12 wagner
Rev11 debussy
Rev10 noverre
Rev9 gluck
Rev8 prokofiev
Rev7 haydn
Rev6 chabanon
Rev5 livret
Rev4 texte
Rev3 representations
Rev2 interpretation
Rev1 melanges
M1 Communications
M1 Communications
M1 Communications
M1 Communications
Rev1b signorile
Rev1c bougeret
Rev1d leblond
Rev1e quetin
Rev1a preface
Rev1f cervantes
Rev1g gier
Rev1h sandler
Rev1 melanges

This present article analyses the modalities in the light of which an approach of musical phenomena, in which sociological reasoning and the theory of complexity intervene, is likely to entail a new reading of the act of creation and of the artistic activity, inserting them into a multiform reality which concerns the collective, the individual and the interpersonal levels at the same time.

In this context, the work is considered both as a social phenomenon and as an instrument of investigation and a tool of production of a knowledge of the different social backgrounds.


N° 1 b

Marc Signorile

Université Aix.Marseille I

La musicologie et l'apport du raisonnement sociologique

Marc Signorile
Marc Signorile - La musicologie et l'apport du raisonnement sociologique

Gérard Bougeret
Gérard Bougeret - Goût et musicologie

Chantal Leblond
Chantal Leblond - Le manifeste Aux abonnés de l'Opéra qui voudraient aimer l'opéra

Laurine Quetin
Laurine Quetin - Tarare de Beaumarchais et Salieri


Xavier Cervantes
Xavier Cervantes- "Untelligible Sing-song"

Albert Gier
Albert Gier - Chabrier entre Wagner et Anatole France

Julie Sandler
Julie Sandler - Bernanos -Poulenc : le dialogue des Carmélites