The Grand Tour was an important phenomenon in France and England in the eighteenth century. This widespread practice promoted the production of extensive travel-writing that shows the evolution of European cultural and musical life, mainly through the description of performances and through observations on the reception of lyrical drama. However, travellers were also subject to influences and prejudices, and therefore not only artistic but also political and social matters have to be taken into account at the analysis of these resources.
Migrations culturelles de l'histoire de la représentation aux XVIIIème et XIXème siècles en Europe
Cécile Champonnois
Université de Tours
Travellers and amateur opinions on Eighteenth-Century musical dramas
Jérome Bonnet
Jérome Bonnet - Arsinoe de Tammaso Stanzani
Laura Naudeix
Laura Naudeix - Présence de la tragédie en musique française
Sandrah Silvio
Sandrah Silvio - Style et technique des chanteuses lyriques italiennes
Laurine Quetin
Laurine Quetin - Réception de l'art lyrique italien en Russie
Albert Gier
Albert Gier - Zwischen Tragödie und Melodram
Chantal Cazaux
Chantal Cazaux - Gaetano Donizetti de Naples à Paris et Vienne
Gérard Loubinoux
Gérard Loubinoux - Castil-Blaze, héritier des querelles du XVIIIè siècle
Georgia Kondyli
Georgia Kondyli - Les Danaïdes ou les migrations d'un mythe
Stefania Panighini
Stefania Panighini - Analisi della messinscena del Così fan tutte
Rudolf Angermüller
Rudolf Angermüller - Così fan tutte auf europäischen Bühnen
Ghyslaine Guertin
Ghyslaine Guertin - L'Europe musicale d'après un migrant du XVIIIè siècle
Cécile Champonnois
Cécile Champonnois - Travellers and Amateur Opinions on XVIIIth Century
Elena Biggi Parodi
Elena Biggi Parodi - "Les Danaïdes" di Salieri diretta da Gaspare Spontini
